contemporary sculptors<\/a>, placing his work in dialogue with that of modern artists. This initiative not only celebrates Calder’s legacy but also positions the Seattle Art Museum as a center for the appreciation of modern sculpture.<\/p>\nA Broader Vision for Calder’s Legacy<\/b><\/h2>\n
The gift coincides with efforts by the Calder Foundation to establish Calder Gardens in Philadelphia, aimed at showcasing Calder’s work in his birthplace.<\/b> This development and the Seattle Art Museum’s exhibitions highlight the enduring relevance and fascination with Calder’s art<\/b>.<\/p>\nThe Shirleys’ Commitment to SAM and the Arts<\/b><\/h2>\n
Jon and Kim Shirley’s contributions extend beyond this monumental gift. Their long history of support includes founding the museum’s Olympic Sculpture Park and securing Calder’s iconic “The Eagle” sculpture<\/b>. Their dedication to the arts and strategic philanthropy exemplify a profound commitment to enriching Seattle’s cultural environment.<\/p>\n
The Shirleys’ gift of Alexander Calder sculptures to the Seattle Art Museum is more than a donation; it’s a transformative act that redefines the museum’s role in the art world and its capacity to inspire and educate<\/b>. Through their generosity, the Shirleys have ensured that Calder’s artistic innovations and legacy will continue to influence and delight audiences for generations to come.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10028,"featured_media":170295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[410],"tags":[],"class_list":["post-170292","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/170292"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10028"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=170292"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/170292\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/170295"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=170292"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=170292"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=170292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}