architectural ventures in cities from Lagos to Rotterdam showcase the reality and scalability of life on water.<\/span><\/p>\nThe Nieuwe Instituut in Rotterdam currently hosts an exhibition named “Water Cities Rotterdam,” displaying the groundbreaking work of NL\u00c9, an architecture firm spearheaded by Kunl\u00e9 Adeyemi. The firm has devoted extensive research and trials to floating architecture worldwide, resulting in several floating pavilions that grace the museum’s ponds.<\/span><\/p>\nA central district of Lagos, Nigeria, Makoko, serves as an inspiration for NL\u00c9’s transformative work. Thousands of locals reside in makeshift wooden structures erected on stilts in the lagoon. It’s here that Adeyemi built a floating school for the local residents in 2012.<\/span><\/p>\nReflecting on a massive flood that hit Lagos in 2011, Adeyemi shared, \u201cEntire streets were inundated, and I saw that cities would flood, but Makoko’s people were already adapting. It was a revelatory moment.\u201d<\/span><\/p>\nThe Makoko Floating School, a triangular A-frame wooden structure, served not only as an educational facility but also as a communal space for local children. Instead of standing on stilts, it floated on a plastic barrel base, setting a precedent for future projects.<\/span><\/p>\n \r\n \r\n \r\n \r\n \r\n
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\r\n Dive into the world of floating architecture, a solution born out of necessity to combat climate change and rising sea levels, transforming urban landscapes worldwide.<\/span><\/p>\n <\/span>\r\n\r\n \r\n
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Transformative Solutions for Water-based Living<\/b><\/h2>\n
Learning from the floating school’s success and continued research, Adeyemi and his team developed the Makoko Floating System (MFS), a series of sustainable timber structures that can be quickly assembled and disassembled as required. The system, designed to meet European building codes, is modular and features more efficient steel connections.<\/span><\/p>\nThe floating structures in the MFS can be assembled by a team of five in just two weeks, without needing heavy machinery or cranes. The system caters to a range of needs, offering small, medium, and large versions of the triangular A-frame structure. \u201cOur goal is to provide an inclusive solution for this phase of climate adaptation, ensuring that the most vulnerable communities are not left behind,\u201d Adeyemi commented.<\/span><\/p>\nThe MFS system has been used in countries including Italy, Belgium, and China, adapting to different water and climate conditions. In 2021, it found a semi-permanent home in Mindelo, a port city in Cape Verde, where it houses a floating “music hub.”<\/span><\/p>\nAdapting to a Watery Future<\/b><\/h2>\n
Rotterdam, a city where 90% of the land is below sea level, is no stranger to floating architecture. The city hosts numerous design firms grappling with the rising water challenge, with projects such as Nassauhaven offering future-proof housing solutions on the water.<\/span><\/p>\nThe city’s CEO, Pieter Figdor, emphasized, \u201cWe are a delta city, and water levels are changing.\u201d His firm, Public Domain Architects (PDA), is behind Nassauhaven, a \u201cfloating street\u201d with 17 floating homes, a winner of the city government’s competition for a floating architecture pilot project.<\/span><\/p>\nThe future of <\/span>architecture<\/span><\/a> is already floating among us, with visionaries like Adeyemi and Figdor leading the way. Adeyemi concluded, \u201cIn the near future, human civilization will live more on water. Why fight water when we can learn to live with it?\u201d<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":10028,"featured_media":166430,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[408],"tags":[],"class_list":["post-166283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-travel"],"acf":[],"_links":{"self":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/166283"}],"collection":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/users\/10028"}],"replies":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/comments?post=166283"}],"version-history":[{"count":0,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/posts\/166283\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media\/166430"}],"wp:attachment":[{"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/media?parent=166283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/categories?post=166283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culture.org\/wp-json\/wp\/v2\/tags?post=166283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}